Friday, 18 September 2026

Article - The connotative appellative: Does arangetram need multicultural synonyms? - Dr Lavanya Iyer

Why is it that BHARATANATYAM ARANGETRAM-s are being categorically and repeatedly designated with the name of RANGAPRAVESHAM, duly by Bharatanatyam gurus themselves? Even on the invitation cards, the trend is being followed. Earlier, it was prevalent only in other south states which I attributed to state linguistic issues (not that I endorse it, but still it made sense). Now it's prevalent among the Tamizh speaking gentry from Tamil Nadu and in Tamil Nadu itself. Now that is appalling. Now my simple question is ----- Why is this so called "trend" prevalent and what has trend got to do with tradition?

RANGAPRAVESHAM, a term exclusively associated with KUCHIPUDI, the classical art of Andhra and Telangana, neither fits into the linguistic side of Bharatanatyam nor is it that there has been any issue with the term ARANGETRAM which is exclusive to Bharatanatyam's patrimony and legacy of its mother state Tamil Nadu. Why take away the basic beauty of a Tamizh word meant to decorate the art born of Tamil Nadu and push a nonnative vernacular version for no reason. ETRAM and ARANGAM being Tamizh words fit the bill, RANGA and PRAVESHA being Sanskrit / Pali, definitely do not. We also see the terms MANCH or MANCHA that are derived from Prakrit / Sanskrit. Kathak and Odissi use the terms RANGMANCH PRAVESH and MANCHA PRAVESH respectively, which is common to Sattriya as well. Manipuri of course has a very different genre of MAIBI or the Ras Leela depending upon the debuts. 

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