Manjusri Chaki-Sircar has been a dancer extraordinaire all her life. Born half a decade before the onset of the Second World War and reared in a quaint town in the erstwhile East Bengal, she tumbled into dance as a tiny tot in enacting a Tagore poem, Pujarini (the Worshipper), culled from the Buddhist annals. The event was almost prophetic, presaging three trends of her later life. One, she would exalt in dancing all her living years till the very end of the century. Two, she would have a dominant influence of Tagore on her, alongside many other traditions and strains of Indian heritage. Three, religious anthropology would profoundly affect all her choreographic oeuvre: beginning with the Meitei Maibi worship of Manipur and ending with the Yatmul puberty ritual of New Guinea.
Read more in the site