Interestingly, two styles sharing the stage each evening, in a male/female, tandav/lasya, Yin/Yang contrast was also followed in this year's celebration of Lalitarpan, the festival started by Kathak veteran Shovana Narayan of Asavari, along with Dr.Jyotsna Suri and tabla wizard Shafaat Ahmed Khan....
For Bhagyam Arts and Ideas, Gandhi Jayanti heralded once again an opportunity for the celebration of the Mahatma's spirit through an ensemble of Indian arts. This exploration of the life and legacy of Gandhi through India's art forms, comprises a core group, that had organized the Gandhi Leela effort last year too, headed by director Suranya Aiyar...
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“…one got the impression that this dancer's body, heart and mind involvement had little concern for virtuosity for its own sake, even in a nritta item. In fact, there was not an inch of showmanship in the dance. Instead, it was a feel for the poetry of movement.” It is so rare to read such carefully observed and perceptive views. 👏👏 Having seen Dr Bhattacharyya perform a few times, your description resonates quite deeply with me.
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