Monday, 10 August 2026

Book Review - Kathak and Sanskritisation? - Leela Venkataraman



At the IIC, it was an evening with a scholarly gathering to mark the release of the book by Shubhi Publications on Speaking Sculptures - Karanas in Kathak, authored by Kathak specialist Shovana Narayan.

The Natya Sastra Karanas (Hasta-pada samayogah karanamiti samjnitam), we know, are not stances, but units of movement in a coordinated conjunction of hands and feet operating in a prescribed fashion. Shovana (as other scholars), understandably looks at sculpture as the best indicator of dance movement in history. One must remember however, that the Karana is a whole unit of movement - which has been arrested at any one point of a whole movement cycle, to be captured on temple walls by the sculptor's chisel. In other words, sculptural representations comprise frozen moments of whole units of movement prescribed as a Karana. And what is caught on stone arrested at any point -and what is seen in sculpture may not necessarily show the start or the culmination. 

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