Tuesday, 17 February 2026

Points to reflect on during the Chennai Season - Taalam: column by Leela Venkataraman

In the cornucopia of dance and music that Chennai offers during the Season, some events went without reportage. I would like to briefly refer to certain aspects of the teacher/taught relationship in dance, as also some of the recitals which could not find mention in my writing, thanks to the crowded calendar.


Dancer Malavika Sarukkai’s Kalavaahini Trust, in its annual festival Dance for Dance, organized in conjunction with Karthik Fine Arts at the Bharatiya Vidya Bhavan auditorium, is a laudable effort at educating and promoting promising youngsters, who get featured in a special festival. Amidst the indifference and chalta hai attitude that artistes often have to contend with, what one finds particularly praiseworthy in the Dance for Dance event, is the sensitivity of the organizers, with extra special treatment meted out to the performers, making them feel valued and giving them a sense of self pride as dancers.

What has however, raised a few questions among practitioners is the mentoring aspect, which is gaining ground among Bharatanatyam practicing youngsters of the day. Quite against the whispering gallery of comments, one would like to discuss this aspect with rank openness.

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