Mana, Pramana and Anumana (evaluation, verification and perception) presented by Chidakash Kalalaya Art space Spanda, on January 2 was squarely founded on the Nyaya Sutras as above. Directed (with costume and scenography) by the noted Natya Shastra scholar Piyal Bhattachaya, his very unique Marga Nritya remained a visual delight. Their brand new stage was a work of aesthetics and did full justice to their span of imagination. This critic would leave the abstract theme and its visualisation to the following questions and detailed response provided by the director, except just pointing out that the Nyaya Sutras seem to have no truck with the Vedic literature and to that extent, the invocation of the Vedic Rudra and other deities was open to the critique of the cognoscenti. This, again, does not take away the splendour and the opulence of the imaginative choreography.Read more in the site
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