Sunday, 17 June 2018

Portrait of a tortured artist - The Eastern Eye: Column by Dr.Utpal K Banerjee


Taray Taray presented on May 29 by Swapna Sandhani – on their 26th anniversary – was a wonderfully vivid filigree of the Van Gogh saga encapsulated at multiple levels. At one level, it is young Ritwik (essayed very well by Riddhi Sen) suffering from hallucinations that he is the torch-bearer of the past legacy of Van Gogh. Lovingly looked after by wife Sharmila (Surangama), he is undergoing treatment by a psychiatrist Ruksana (donned most competently by Reshmi Sen).  In recapitulating Holland and France as the artistic milieus of the 19th century, Van Gogh is seen as the suffering, struggling painter – remarkably brought alive by the brooding acting style of the thespian Anjan Dutta – with whom Ritwik’s life is entwined as his younger brother, Theo, who has a love-hate relationship with sibling Vincent, while supporting him financially all through his years of gnawing penury. 

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