In the performing arts of India, the audience is not a spectator, but a participant. This principle implies that a responsibility is placed on the audience. But does this matter concern the artist?Today, there is a cloud of anxiety centered on the experience of dancing. It must be truthful, it must be spiritual, it must be profound, revelatory, meditative, and so on.
There is no cloud of anxiety centered on the audience. After all, the audience is "led" by the artist to the inner experience of rasa. No artist wants to be known for "playing to the gallery." The audience must be "uplifted" in a performance, from whatever low depths they have sunk into. Dancers very much care about the number of people in the audience. But as far as the craft of the dancer and the stuff of dance are concerned, the audience is an irrelevance.
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