Friday, 19 January 2018

Sringaram: Leitmotif for Bharatanatyam's dual anguish/ecstasy landscaping - Taalam: column by Leela Venkataraman

Given the uniformly large turnout for each of the five days of the 37th Natya Kala Conference mounted by Yagnaraman Centre for Performing Arts and Sri Krishna Gana Sabha, convenor and designer Dr. Srinidhi Chidambaram, would seem to have once again proved her mettle for immaculate planning and organisation. And as a rare case, realising that hers is not an easy act to emulate, the committee of the Sabha announced unanimously selecting her as the Convenor for next year's Conference too. 

Her theme of Sringaram -an immersion, with participants pertaining to different age groups and mindsets representing different dance traditions along with scholars and poets, brought together a wondrously varying landscape etched with myriad images on the subject of sringaram. Ironically dubbed the 'King of Rasas' despite its wide range of expressions spiritual/sexual and erotic/ physical/ metaphysical, largely articulated by female performers, Sringaram's greatest quality is that it is never monochromatic.

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