Saturday, 16 September 2017

Crisis of critical analysis in music and dance - Taalam: column by Leela Venkataraman


Even as our traditions of music and dance have survived thanks to an inbuilt dynamics of preservation of eternal verities of tradition while accommodating individual creative innovations, a large repertoire of critical writing articulating new concepts and analysing the changes, subversions, innovations over the last half a century is missing. From the marginalised Devadasi to the elitist Diva of today, the nationalist framework in which so many changes took place in what has been singled out as classical (wherein resistance to the colonial was not a factor) to the folk, continuity has been stressed above deviations and innovations, and what with altered notions and dynamics of orality of the changing nature of audiences, the proscenium space and the fact of the utter perishability of music and dance at the point of creation itself, it is surprising that a more dynamic body of critical work has not emerged. Supporting a greatly felt need for interaction on this aspect, The Indian Institute of Advanced Study at Shimla, under Ashok Vajpeyi as convenor, organised a National Seminar from September 4 - 6, 2017 to deliberate on Music and Dance: The Absence of Critical Attention and Analysis - with the historic Viceregal Lodge at Shimla as venue for a gathering of musicians, young dancer scholars, music and dance critics and thinkers. 

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