The world of
Bharatanatyam has been a preserve of women. There is a
welcome change in the scenario as we start seeing the
emergence of the male dancer. It is a known fact that the
stage for classical dancers is itself limited and not much
material is available in the public domain to understand
classical dancers.
Just when classical dance enthusiasts are looking forward to learn more about male dancers, Tulsi Badrinath writes about them in her aptly titled ‘Master of Arts: A Life in Dance’ (Hachette India publication). The attractive cover has Guru VP Dhananjayan looking into the mirror at his own younger picture (in the form of his son CP Satyajit). It comes as no surprise that the work should be coming from a classical dancer as others may find the context, content and the very background unfamiliar. Who else would understand the “perilous journey” of a male dancer, and his “worries over decisions” and, notions like “the male dancer in the traditional margam is like an illegal immigrant.”
Read the review in the site
Just when classical dance enthusiasts are looking forward to learn more about male dancers, Tulsi Badrinath writes about them in her aptly titled ‘Master of Arts: A Life in Dance’ (Hachette India publication). The attractive cover has Guru VP Dhananjayan looking into the mirror at his own younger picture (in the form of his son CP Satyajit). It comes as no surprise that the work should be coming from a classical dancer as others may find the context, content and the very background unfamiliar. Who else would understand the “perilous journey” of a male dancer, and his “worries over decisions” and, notions like “the male dancer in the traditional margam is like an illegal immigrant.”
Read the review in the site
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