Leela Samson, currently chairperson of the Sangeet Natak Akademi and director of Kalakshetra in Chennai, has been elected as the new chairperson of the Central Board of Film Certification (CBFC) - film censor board. She will succeed veteran actress Sharmila Tagore, who ends her tenure on March 31, 2011.

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A dancer as Chairperson of the Indian Censor Board

Shanta Serbjeet Singh has been elected Vice-Chairman of the Sangeet Natak Akademi

Eminent arts writer and columnist Shanta Serbjeet Singh has been elected Vice-Chairman of the Sangeet Natak Akademi, the national academy of music, dance and drama in New Delhi, by its General Council. The Chairman of the Akademi is well-known dancer Leela Samson, who was appointed by the President last year. The Secretary and Chief Executive is Jayant Kastuar.

Mothers by daughters - My mother - Ileana Citaristi

I was rehearsing for my new production 'Karuna' inspired by Mother Teresa's life when the phone rang on the 2nd of August: “Ile, mother has left us one hour ago.” My brother's voice was choked; the phone fell from my hands. She had been sick for the last few months. I had visited her thrice in the hospital, last time in July, along with the members of my troupe. She had been looking forward to our July program in Bergamo, my home town. We had been talking about it over the phone, making plans about where the artistes would stay and which items we should do, until that fatal brain hemorrhage happened in February, after which she had been silent, closed in her own world, but still alive, still listening to our tales, giving a few signs of recognizing us like the tears which dropped from her eyes when I first visited her in the hospital in March.

She was not a dancer or a musician or an artist of any sort; she has been a devoted wife all through her life. I used to envy my father and at times be jealous of him. Even during the few days I would return home, I rarely could have her all by myself. I always thought it was my right perhaps because during my childhood, I had been deprived of her presence and attentions since, being a headmistress, she used to leave home every day in the morning and come back only late in the afternoons.

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Mothers by daughters - Aai: my dearest mother - Jhelum Paranjape

Aai - that's what we say for mother, in my language - Marathi, the mother tongue of Maharashtra. Aai loved dance, she still does. She is a natural dancer. She was born with dance in her, and her body was nothing but grace and poise. But ...Why am I saying 'was'...? I should say, 'is'...! Today, even at 80 and with joint problems, one can see that inherent grace and poise...and a free spirit... she gets up spontaneously at any party when the music comes on and dances; she does that every year when it rains for the first time too, gets drenched dancing in the rains...I really am lucky, for I have inherited this natural grace and poise. And I must say her beautiful curvaceous bottom too... these three factors are a definite 'add on' for the Odissi dance style.

During the initial stages of my dance career, we all would rag her. Well...not me, but the others in the family... that my dance is actually her surrogate ambition. She was very fond of dance. But her father, a very traditional orthodox man who had stopped even my grandma playing the dilruba after marriage, just did not have the ability to understand that there is music in life, so how could she even dream or think about dance...?

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Articles - Dance and Martial Arts - Umesh Naidu

It has been nine years now; however long I journey, I realize it's a new discovery everyday, but I feel it started only in recent times. What began as a hobby and an unwinding exercise caught up with me as I grew up. I would swim, skate, play football, practice Taekwon-Do thrice a week and dance once a year. Craft making, drawing, writing poetry intrigued me and aroused my attention and I couldn't help but praise the beautiful things that began to inspire me.

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Interview - Shanta Serbjeet Singh - Ananda Shankar Jayant

Shanta Serbjeet Singh, for twenty-five years, columnist, critic and media analyst for The Hindustan Times, The Economic Times and The Times of India, India's most important mainstream English dailies, is the recipient of the Lifetime Achievement Award of the Sangeet Natak Akademi, the premier Government cultural institution of India in 2000 and the same from Delhi Govt.'s Sahitya Kala Parishad in 2003 for her contribution to the field of culture.

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Mothers by daughters - Remembering Indrani: September 19, 1930 - February 5, 1999 - Sukanya Rahman

Indrani began to dance before she could walk. My mother made her stage debut at age five, performing the role of Maricha, the golden deer, in an episode of the Ramayana with her mother Ragini Devi and the dancer Gopinath.

For centuries the tradition of classical dance in India was passed down from mother to daughter through generations of dedicated devadasis or temple dancers, and nurtured in the sanctums of the great Hindu temples. This ancient art traced its origins to the rituals of the sacred Vedas, and its ancestry to the celestial exponents of the dance, the apsaras or heavenly nymphs and to the gods themselves.

Oddly, this dance tradition - which had fallen into decline and disrepute during British colonial rule - was helped out of obscurity and placed on the world stage by a daring young woman from the American Midwest. Born Esther Luella Sherman, in Petoskey Michigan in 1893, Esther was convinced she had been a Hindu in a previous incarnation and her mission in life was to dedicate her life to Indian dance. 

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