Tuesday, 27 August 2024

Moham and performances for Independence Day - Taalam: column by Leela Venkataraman

Performing after a fair gap in the capital, Ragini Chandershekar's Bharatanatyam recital at the Deshmukh auditorium, under the banner of Kalangan, displayed the power and depth of dance proficiency stemming from family inheritance, and the ambience of music and dance she grew up in. As Jamuna Krishnan's daughter / student, honed right from childhood with training under the best of Gurus - K.J. Govindarajan, K.N. Dakshinamurty, Kalanidhi Narayanan and Usha Krishnamurty, Ragini has been performing for over forty years. Heading Kalangan ever since Jamuna Krishnan's absence, the dancer would seem to have single mindedly further enhanced her music / dance, knowhow and performance.....


Time and tide wait for no man and soon after the mortal remains of legend Yamini Krishnamurti being consigned to flames, dance lovers entering the portals of Ganesa Natyalaya for the Swarna Saroja evening for Padma Subrahmanyam's lecture on the Natya Sastra, was for this critic, a pointer to the reality of life that marches on with arrivals and departures....


Supported by Ministry of Culture and the Habitat, Odissi exponent Ranjana Gauhar's Utsav held its annual two-day, handsomely attended festival Sare Jaahan Se Achha, at the Stein auditorium of Habitat. Several dance related personalities encompassing dancers, art sponsors, art bureaucrats, music composers, dance writers, not excluding costume and jewellery designers et al were honoured before the dance presentation started, both days. While the performance calendar, for the first evening, featured dancers of Utsav only, the second evening, starting with a short presentation by the hosts, featured Bharatanatyam, Manipuri and Kathak in that order....

Read more in the site

Please provide your name / email id along with your comment. Anonymous and derogatory comments will be removed.

No comments:

Post a Comment