The Indian classical dancer today is challenged to constantly reinvent themselves to survive the contemporary socio-economic space defined by capitalist economy, technology, social media and synergies of complex patronage systems. The market demands recorded music, fast pace padded with technical productions that can grip the audience. The Indian classical dancer exists in a swirl of a dizzy environment constantly negotiating the manner, the content and the aesthetics can be innovatively presented to sustain the central place in organizer's lists. This article refers to Dr. Kapila Vatsyayan, her views on innovations in Indian classical dance.
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