I am brought back to the same vision - a beautiful dancer on the stage, presenting abhinaya as the lovelorn heroine, and then nritta with several movements and chakkars. But your memory cannot retain these visions to be seen later by you or your friends. Words alone would not be able to describe the moment, and that particular movement. And so click, click, click goes the camera, and all is preserved for posterity.
Many a time, in trying to explain a movement, I have to consult my husband, who's a photographer, and he can show me the exact picture. And at times, multiple images of the same movement, which are clicked every fraction of a second, capture almost every aspect of the movement. I think my article would be incomplete without the pictures.
Here, I am profiling a person whom I've met at several performances in the past few years. In almost every performance in Delhi, he is there with his wife Santosh, sitting among the front row audience. This unassuming person is the legendary photographer Avinash Pasricha, who has worked extensively with many dancers and dance forms for over half a century. His contribution to dance is unparalleled. My husband and I interviewed him together, since there were technical aspects of photography that the two could discuss better.
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