(This was first published in Sruti in 2014)
Most dance productions (solo/group) seem to have a Shakespearean context. While most dancers would have us believe that their productions are nothing short of ‘A mid- summer night's dream,’ more often than not, they turn out to be ‘Much ado about nothing’ at least in content!
Critics often face the melodramatic “Et tu, Brute?” when artistes do not get to read what they wish to see.
Read more in the site
Most dance productions (solo/group) seem to have a Shakespearean context. While most dancers would have us believe that their productions are nothing short of ‘A mid- summer night's dream,’ more often than not, they turn out to be ‘Much ado about nothing’ at least in content!
Critics often face the melodramatic “Et tu, Brute?” when artistes do not get to read what they wish to see.
Read more in the site
This is a brilliantly witty and incisive take on the intricate — and often theatrical — relationship between artistes and critics. The writer cleverly weaves Shakespearean references to highlight the ironies, sensitivities, and unspoken tensions that colour the world of dance criticism.
ReplyDeleteThe parallels drawn between A Midsummer Night’s Dream and Much Ado About Nothing beautifully capture the gap between artistic ambition and actual execution. The “Et tu, Brute?” moment perfectly encapsulates how personal reactions often overshadow professional critique. And the Macbeth-inspired reflection on reviewing one’s host is a delightful reminder of how ethics and diplomacy collide in the performing arts ecosystem.
Overall, it’s a sharp, humorous, and thought-provoking commentary that reveals as much about human ego and vulnerability as it does about art and criticism.
Thank you so much. I loved reading your insightful appreciation for my parody and so enjoyed your lovely response . You write so well. Thank you for stopping by to read this.
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