Eleni of Sparta is her first ‘non-Indian’ story. Evidently, Rajika has
undertaken a great deal of research work, visiting Greece and studying
the classics Homer’s Illiad and Odyssey and Bettany Hughes’ Helen of
Troy. Eleni is commonly known as Helen of Troy. With her training in
western music Rajika adapts songs, singing when performing and with
powerful voice tells the story engaging attention of the audience.
Taking cue from Sanskrit plays she impersonates the role of a Sutradhar
(storyteller) and using ekaharya lasyanga principle of Natyashastra, in
which a character enacts various roles in a solo performance in one
costume, she successfully employs that style, combining acting, dancing
and singing. She has named it as Sutradhari Natyam.
Eleni of Sparta unfolds in seven episodes. She has modelled each episode on a different genre of Odissi dance, with music set to ragas derived from the six Hindustani thaats (scales) that are equivalent to ancient Greek melodic modes, and as she states in her programme book, ‘and Greek folkloric rhythms similar to those of Odissi dance and music.’
Read the review in the site
Eleni of Sparta unfolds in seven episodes. She has modelled each episode on a different genre of Odissi dance, with music set to ragas derived from the six Hindustani thaats (scales) that are equivalent to ancient Greek melodic modes, and as she states in her programme book, ‘and Greek folkloric rhythms similar to those of Odissi dance and music.’
Read the review in the site
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