In Bharatanatyam performances, audiences are treated to "poses" by
dancers. When I was a young girl learning dance, I used to attend
performances of senior dancers every now and then and I noticed that
some gurus had taught their students to give statuesque poses, while
others eschewed them completely. For example, Guru Vazhuvur Ramaiah
Pillai's students struck the Nataraja and other poses at frequent
intervals in their shows, whilst the students of Pandanallur
Chokkalingam Pillai were more reticent with poses. I noticed also
that Balasaraswathi never lifted her leg in the Nataraja pose. I assumed
then that perhaps it was because of her age (then in her forties) or
perhaps she was heavier in build as compared to many others whom I saw
in performance. Later, I read Dr. Raghavan, her mentor. He was very
disapproving of unnecessary poses and thought they were aberrations! He
used phrases like "rasabhasa" meaning contrariness to Rasa, which said
it all. I loved that brevity of expression.
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This is so well written and presented for the reader to seriously think about the purpose of dance movement and intent. Thank you for sharing your thoughts.
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