Since the days of remote past, rich traditional heritage of arts and culture in India have continued to prove their creative magnificence. With the passage of time and advent of globalization, we have witnessed the emergence of a consistent macro-culture. Under the influence of such a voracious macro-culture the arts and culture of our country is suffering from attrition and erosion. The development of art and cultural organizations has been closely related to government policy to create an environment that is more favorable to arts, artists and cultural development.
Puppetry is a very ancient art form that originated about 3000 years ago. Natya Shastra by Bharatamuni in the second century brings much evidence on puppets. The producer-cum-director of the human theatre has been termed as ‘Sutradhar’ meaning the holder of strings. Puppets have been used since the earliest times to animate and communicate the ideas and needs of human societies. Although puppets have been employed by various disciplines and community, little has been written about their use as a communication tool in research. A qualitative research study on string puppets of Maharashtra is conducted to explore the origin and history of puppetry, to revive the art and to explain how and why traditional art forms continue to have educational efficacy for contemporary developmental projects.
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