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Tuesday, 18 October 2022
Central to Indian aesthetic and philosophical traditions is sringar in all its facets - Taalam: column by Leela Venkataraman
A feature of the post Covid performance scene has been in the region of recently published books on dance. Close on the heels of Kathak Lok is Shringara in Classical Dance, brought out by Shubi Publications, edited by dancer/scholar Sharon Lowen. Its release function at the IIC Chattopadhyaya Multipurpose Hall drew a packed auditorium, and considering the all too often scanty audiences for dance performances, this kind of warm reception for book release evenings seems a bonanza. The start had two young dancers presenting Ashtapadis, suffused with the varying moods of love, in the Odissi style - the first “Pashyati dishi dishi rahasi bhavantam” wherein the sakhi, describing the state of Radha at home, languishing for her Lord, and clinging to him in her fantasy, requests Krishna to meet her forthwith.” The second Ashtapadi presented by young Vishnunath Mangaraj “Dheera sameere Yamuna teere vasati vane vana mali”, has the sakhi pleading Krishna’scase, describing to Radha forlorn Krishna’s eager wait, expecting and hoping in every soft leaf or feather falling to the ground, the gentle footstep of Radha. “Forego your pride and go to him.”
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Leela-ji, I can't thank you enough for your detailed, thorough sharing of the contents of my Shubi publications Sringara in Classical Indian Dance book and the supporting presentations at the book launch. I also appreciate the significant efforts you took to do so while still recovering your health. Very much appreciated, Sharon Lowen
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