Friday 7 December 2018

Dream and iconoclasm - The Eastern Eye: Column by Dr.Utpal K Banerjee

Mohit Chattopadhyay (1934-2012) was an avant garde dramatist in Bengali language and a poet, with over one hundred plays to his credit. Hailed as a Kimitibadi (one with the motto 'what is it?') playwright, because of the cryptic quality of his language, Mohit was critically admired for many milestone works in the history of Indian political drama produced with acclaim in Kolkata, Delhi and Mumbai.

Captain Hurrah presented on October 31 in Kolkata by 'Ichchhemoto' was penned in 1970.....

Apparently imaged after the Middle-Age monasteries in Europe with their cloistered band of priests, Tagore's seminal play Achalayatan (The Static Institution) conjures up a fortress like closed space somewhere around us, with staunchly hierarchical religious luminaries, overseeing a group of well-secluded novices, bent on learning only their decrepit scriptures and strictly observing decades old rites in every walk of life. Tagore spins his allegorical tale in this cooped up atmosphere, where a certain learner has inadvertently opened up a certain window closed ritually for ages and is being administered mind-boggling punishments; a novice is brewing revolt by neglecting to learn his dicta and hobnobbing with the free tribals roaming around outside the closed institution's precincts; and the chief priest has uneasy stirrings in his mind on whether such rigorous formalism has at all been worthwhile. The "erring" chief priest is promptly banished; the overall 'guru' of the sect is heralded to visit after a very long interval and, when he finally arrives, he is seen in a rebellious mood to take down the stagnating citadel -- by leading the tribals to break into it - and freeing the institution of its accumulated bindings. .....

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