Dancing with greater energy than ever, Malavika Sarukkai seems to be going through a fresh spurt of creativity, breathing new life into her Bharatanatyam art. Performing on Feb 25 at Sannidhi Auditorium of the Gandharva Mahavidyalaya with its intimate ambience and an audience of discerning art lovers, Malavika's recital had an electrifying start with Sthiti Gathi, a work done a few years ago. Based on music in Madhuvanti composed by Prof C.V. Chandrasekhar, the dancer sculpts space with form, movement and stillness as two sides of a coin not only needing each other, but their contrasting natures enabling both to draw their own individual identities, from the other. And exploring this principle through the technique of Bharatanatyam lines and rhythm, Malavika has created movement of visual geometry, which holds the viewer spellbound with energy packed movements dotted with the silence of sudden freezes. The designing with accented points of movement beautifully echoed in the nattuvangam by Sreelatha (with mridangam and music in sync) with footwork of rhythmic phrases of syllables at cardinal points, doubled or trebled, along with the perfect symmetry of stances, made for dramatic fare.....
Impressive start to Kalavahini's sponsorship of excellence in dance
By all yardsticks, it was an impressive start on Feb 23 at the IIC auditorium for the Kalavahini Trust (Malavika Sarukkai's brainchild) in its goal of sponsorship and support for young excellence in dance - comprising passionate, committed and thinking dancers. Other envisaged programmes include Dance Immersionwith four intensive days of interaction on dance matters, fellowships and financial support to help ease the burden while creating new productions.
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