Tuesday, 18 July 2017

Discourse on dance - TRENDING by Ashish Mohan Khokar

Dance discourse is undergoing a slow but steady make over. Wherever one goes, one sees added energy to dance presentations. The commentary has improved greatly. Introductions, punctuality, program notes, contextualization. Dance Discourse. 

Mumbai first: For a city where many felt in this century (2001 onwards) classical dance almost was on its last legs as patronage had declined and most veterans were past performing actively, an over-bearing presence of films and TV - loosely called Bollywood – didn’t help and also dominated. Now there is a sense of revival and survival of the fittest. After the veterans had had their performing careers for 50 years from post-independence to last decade, there was a lull and slowing down of classical dance eco systems. Organizers were few; only some dancers survived and by and large, those waiting in the wings didn’t get a chance. Only 2 or 3 established institutions even produced dance or students.

NCPA has done yeoman service to promotion of dance in the last few years. Their calendar is fulsome. Nalanda does its own in-house talents, a large pool of students and teachers. The generation (in the age group 50 to 60+) that has now come of age professionally are Daksha Mashruwala, Uma Dogra, Uma Rele, Sandhya Purecha, Jhelum Paranjape, Sunanda Nair and Vaibhav Arekar. These are the happening classical dancers of amchi Mumbai today, who are active, visible nationally and committed. All are keeping the flame alive and taking a tradition forward. 

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