Mother, daughter, guru, disciple, friend, caretaker - a vast complex web
that defined the enigma of a relationship between Balasaraswati and
Lakshmi. In Balamma’s youth, her mother Jayammal played the role of
manager, accompanist, mother, and guru. Through a very rocky
relationship, they were the two pillars that defined what we call “dance
music” (the actual method of singing for dance) today. In Balamma’s
latter part of her career, particularly from the early 1960s, Lakshmi
played the essential role of maintaining and pushing Balamma’s career.
From ensuring the financial stability of the family to redesigning of
her costume, Lakshmi was pivotal in making sure Balamma’s career moved
forward in a world that was unfamiliar and unappealing to Balamma. Until
Balamma’s last breath, Lakshmi was her caretaker. Balamma’s battles
with cancer, diabetes, rheumatic fever and heart disease were battles
that were equally fought by my mother as her own. As Balamma aged, the
line between who was mother and who was daughter had blurred even
further. Even 15 years after Balamma’s passing, my mother got so used to
cooking and eating without salt (Balamma’s heart disease) that she
would constantly forget to add salt in our meals at home!
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