This pioneering book, written in Hindi, one of the major world
languages, presents inspiring and unique discussions about the
historical relationships between Kathak dance, sculpture, painting,
architecture, literature, archaeology and other forms of fine arts.
Venturing to discuss a vast array of topics in an introduction and 15
major chapters, this book challenges readers in terms of its agenda, its
expressiveness of language and also through its sheer breadth of
coverage. The key argument appears to be that since ancient times, human
forms of movement and expressions can be and have been identified as
forms of ‘dance’ and that from those very early times onwards such forms
of movement and related artistic and communicative expressions may be
identified as prototypes of what is today known as one of the major
classical Indian dance styles, Kathak. Altogether, this constitutes an
intriguing resource of rich information, including especially many
magnificent pictures, for art lovers, students and teachers. This book
provides much inspiration for further research and also helps in guiding
dance practitioners’ minds today towards new artistic directions to
combine old and new elements.
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