Saturday, 8 November 2014

Article - Education in spiritual values through Bharatanatyam: Part II - Chandra Anand

The religio-philosophic background of Bharatanatyam
Most Indian classical dances, particularly Bharatanatyam, have religious and spiritual beginnings. They have been part of Hindu temple rituals. They follow the Hindu philosophy in attitude. The Hindu philosophy and their teachings are part and parcel of their themes of presentation. Explanation for the phenomena of rasa-experience in Indian classical performing arts has been investigated in the systems of Hindu philosophy.
Spirituality in Bharatanatyam
The Vedas are the very first scriptures of Hindu philosophy and religion. All human beings are the limited manifestation of the Ultimate Being and reunion of the soul with the Absolute Soul should be the goal. This is the truth offered in the Vedas. Inevitably, the Vedas teach the ideal way to lead life to ensure our way back to the source. “The goals of life which are accepted by all Hindus are righteousness or obedience to the moral law (dharma), wealth or material welfare (artha), pleasure (kama), and emancipation (moksha). Dharma prevails throughout life, that is, neither pleasure nor wealth is to be obtained through violation of the rules of morality. Moksha is the ultimate goal to which all men should aspire. This social philosophy is accepted without question by all Hindus.”1These ideals have, since ages, ruled not only our life, lifestyle and outlook but also permeated through the arts; because this ideal way of life “recognizes in every sphere of activity, the kinship of God and man”2.Thus, the underlying idea of practice of Indian classical performing arts is to transcend the 'self' towards a higher plane and achieve bliss through spiritual expression.


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