In the late 1980s, when I was curiously studying the
history and journey of Odissi dance, I came across a brief
description of pallavi with an elaboration mentioning 2
kinds of pallavi – Swar Pallavi and Vadya Pallavi. While
the first seeks to be a visual trans-creation of the raga
– the melodic mood - the latter is inspired by the
rhythmic element and the percussion of Odissi. During my
training, I discovered that all pallavis taught to us were
named after the raga in which it was composed, hence can
be considered as Swar Pallavi. As per the name and its
underlying concept, a pallavi gently unfolds in space and
time through melodic, rhythmic and gestural patterns. My
quest to know more about this extremely imaginative dance
concept led me to the realization that Vadya Pallavi has
not been attempted post revival of Odissi.
Read the article in the site
Read the article in the site
Hello could u please elaborate pohapatapadi with examples
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