Theatre - - in all its manifestations - - forms the lifeline and blood sinews of the culturally conscious people of Bangladesh. Jatra and other folk variants are favorites and, come winter, the whole countryside goes agog especially with Jatras, mythological or historical or even socially nuanced ones, often running through entire nights. The rich literary heritage of Bengali lingo does not preclude adaptations from Sophocles and Shakespeare, Ibsen and Brecht. A new surge of life has come into the vibrant performing arts scene after the liberation of the country in 1971, today's playwrights and theatre personalities are justifiably varied, and many theatre groups fly their bastion of excellence with great aplomb.
Theatre Narrative from the East, held recently at the E.Z.C.C, Kolkata, from June 22-28, showcased seven plays performed by as many theatre groups from Bangladesh. One major trend that emerged from the festival was the canvas of a woman's life: her love, separation, deprivation, chastity, struggle for survival, self-sacrifice and the history of sheer fight for existence. The patriarchic society seems always to control her destiny and determines her self-expression in conformity with the male-defined norms. This critic took up two folk annals that poignantly echoed this age-old ethos and registered their muted protest.
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