During one of my visits to Frankfurt for World Dance Alliance Asia
Pacific Organization, I had met Rajyashree Ramesh, a Bharatanatyam
dancer from Bangalore, settled in Berlin. At that time diplomat Mr.
Malay Mishra was in Berlin. He had come across my articles on dance, in
particular, on Odissi and had found them interesting. Being an Odiya,
his interest was naturally in revival of Odissi, but he also appreciated
other forms like Kathak and Bharatanatyam.
During my visit to Berlin, he invited me to an evening of classical dance performances. From Essen, Birju Maharaj’s disciple Durga Arya had come to perform Kathak and Rajyashree was to perform Bharatanatyam. Both of them are versatile dancers in their chosen idioms. On that evening, however Durga Arya was in great form and overshadowed Bharatanatyam with breathtaking chakkars, pirouettes, and footwork. I had known Durga Arya in Delhi performing Kathak under supervision of Birju Maharaj and she is an excellent Kathak dancer. Even when she migrated to Essen, Kathak biradari, community, remembers her well for her outstanding quality of Kathak. Rajyashree was a little upset for scheduling Kathak earlier than Bharatanatyam.
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During my visit to Berlin, he invited me to an evening of classical dance performances. From Essen, Birju Maharaj’s disciple Durga Arya had come to perform Kathak and Rajyashree was to perform Bharatanatyam. Both of them are versatile dancers in their chosen idioms. On that evening, however Durga Arya was in great form and overshadowed Bharatanatyam with breathtaking chakkars, pirouettes, and footwork. I had known Durga Arya in Delhi performing Kathak under supervision of Birju Maharaj and she is an excellent Kathak dancer. Even when she migrated to Essen, Kathak biradari, community, remembers her well for her outstanding quality of Kathak. Rajyashree was a little upset for scheduling Kathak earlier than Bharatanatyam.
Read the article in the site
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