Narthaki Blog - Gateway to the world of Dance

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Sunday, 25 September 2022

Anubandh– Scintillating blend of collaborative inputs with performative excellence - Taalam: column by Leela Venkataraman

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The HCL sponsored concert at Kamani auditorium, attracting Delhi’s art cognoscenti, featuring Malavika Sarukkai’s scintillating post-pandemi...
Thursday, 22 September 2022

Book Review - Muthulakshmi Reddy – A Trailblazer in Surgery and Women’s Rights - Srinivasaraghavan NC

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I read the book ‘Muthulakshmi Reddy – A Trailblazer in Surgery and Women’s Rights’ by V.R. Devika and I have to say it was a highly engaging...
Friday, 16 September 2022

Profile - Dr.Kanak Rele: Multifaceted Maestro - V. Kaladharan

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  Mohiniyattam, the sole female dance heritage of Kerala, had for long been sandwiched between Kutiyattam, a highly evolved Sanskrit theatre...
3 comments:
Wednesday, 14 September 2022

Profile - A sprightly 84, Radha Sridhar's wards still dance to her tune - Jyothi Raghuram

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Nectar In Stone  remains one of the finest cultural documentaries made on Indian television till date. A Bharatanatyam school in Bengaluru, ...
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Wednesday, 7 September 2022

Profile - Regatta - Fifty golden years of Guru Girija Chandran - Ambili Ramnath

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Regatta Natya Sangeetha Kendra sails its way into its 50th year of purposeful existence under the stewardship of Guru Girija Chandran. '...
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Tuesday, 6 September 2022

Kathak Lok: Dimensions of temple tradition and history in Kathakc - Taalam: column by Leela Venkataraman

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A lively evening at the Multipurpose Hall of the Kamaladevi Chattopadhyay Enclave in India International Centre, marked the release of the b...
Sunday, 4 September 2022

Prism - Sandesa Kavya - Seema KS

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In Samskṛta language, sandeśa means 'message' and kāvya means 'poem' or 'poetry'. Sandeśa Kāvya deals with the se...
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