We are living in surreal times. It feels like the world is at the brink. That powers beyond our control are manipulating us like puppets - moving our limbs, controlling our thoughts in a sinister manner. That the vortex of chaos is any city far away from us, but very close - almost around us.
The new world architecture of power and positioning may not be what we in the dance and music world necessarily pay attention to. But it is happening. It is no more about performing at venues outside our geography. It is the weight of our reputations in the domestic market that will determine our brand value in the times ahead.Several cultural organisations have put out messages that signal a pause. My eagerly awaited monthly mythology newsletter from the Joseph Campbell Institute came with the opening lines, "We are pausing our regular communications out of respect for the intensity of the moment we are collectively living through. At times of heightened emotion and uncertainty, we believe it is important to create space for reflection." This came from the USA, but the enormity of the geo political moment is not lost on anyone.
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Narthaki never disappoints their audience.The updates on dance news and events are on point!
ReplyDeleteAlthough There is something I wanted to know - what's the criteria for giving awards to young artists? Do they really deserve it, or are there better dancers out there who are getting overlooked?
As a dancer myself, I feel like the awards and felicitations should come with a clear explanation of why they're being given. And honestly, it's frustrating when we're not even aware of the application process or deadlines.
Plus, it feels like some dancers get opportunities just because they're well-connected or can pay their way in. Is it really about recognizing talent, or is it about who you know? Shouldn't we be recognizing the best dancers, regardless of their background or bank balance?