End-November and early December saw quite a pleasant outburst of choreographic creativity in the eastern metropolis, on both classical and contemporary fronts. While Kathak brought out a novel linkage with Baul singing of the village Bengal, Odissi saw a wonderfully vivid tryst of the women dancers with their inner domain, alongside gorgeous sets and subliminal illumination. On one side, Bharatanatyam went back to the Upanishad mooring of Satyam, Jnanam, Anantam; on the other side was an exhilarating contemporary exploration with "hugging the floor", in a near literary sense. To cap it all, there was an inner, extrapolated journey of classical dance visualized in a sumptuous stage. All in all, the exhilaration induced a euphoric sense of joy with a nip in the air, to match!
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