When Kumudini returned from London after performing with Ram Gopal and settled in Ahmedabad after her marriage with musician Rajani Lakhia, she was already an internationally renowned dancer. Her exposure to world dances, ballets, costumes, lighting and showmanship helped her a lot to improve the presentation aspects of Kathak.
She received scholarship from Govt. of India to study Kathak under Lucknow Gharana maestro Shambhu Maharaj in Delhi in late 50s. She had studied Kathak under Radhelal Mishra of Jaipur gharana and dancer Ashique Hussain Khan. However, with her innate sense of aesthetics she was not happy with the way Kathak was presented in those years. She was aware that the art she was learning was from the traditional gurus who were supported by a feudal system. And that is the first thing she planned to do away with, to free Kathak from feudal system. During the Mughal rule Kathak in courts was presented to please the rulers and the salutations were de rigour, to the ruling Nawabs.
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