Shivani Varma has a slim and petite frame, and her big smile tells you she is an affable person. She performed at the India Habitat Centre, Delhi, on the 6th of March in a thematic production called ‘Champaran Se Bapu,’ her own choreography in Kathak. Shivani, a lawyer by profession, has learnt Kathak from Uma Sharma’s academy and is a disciple of Shovana Narayan. She has performed in several solo and group presentations to critical acclaim.
I recently started this exercise of listening to people who are working with the dancer and supporting her in the formation of her production. I’m calling this the Building Blocks series of interviews, in which artists explain how they contribute to constructing a production. The first thing that comes to mind is the concept of any production. Who develops the concept, gives it the conceptual framework? Who puts in that squiggly worm, or keeda, in the dancer’s head to not just do a traditional piece, but make a production? Is the pure margam or pure dance piece not as enthralling to the audience? I think it is equally gripping. But a thematic performance is more captivating since it makes you relate to the performance as a person, and more so if it does not stray from its classical form. And of course, the dancer is always uncertain in such cases about the success of the production and the process of relating to the audience.
So this is a conversation with Shivani, a young dancer, about a production she conceptualized herself.
Read the interview in the site