Tuesday, 18 April 2017

In a different tone: Amorous Delight presents a challenging theatre of love - Taalam: column by Leela Venkataraman

Pickling for over a decade in the minds of Ramli Ibrahim of Kuala Lumpur's Sutra Foundation and late Dinanath Pathy, art historian / painter et al of Odisha, Sutra Foundation's Amorous Delight, a group work based on the 9th century Sanskrit love poetry Amarushatakam traces its seed inspiration to the palm leaf manuscript illustrations based on this text by the unknown Sharnakula master of Odisha's Nayagarh district, the rare copy of which in the Zurich Museum Rietberg, Ramli Ibrahim happened to see. Late Dinanath Pathy and Dr. Eberhard Fischer of the Museum had collaborated on a book jointly authored on Amarushatakam

Ruminating over the challenges of such flagrant erotic verses on sambhoga and vipralambha sringar as base for a work in what has justifiably been called 'Contemporary Odissi', Amorous Delight draws on blended creative energies from Odisha and Malaysia - with late Dinanath Pathy himself as the visual and literary consultant, and with the musical base provided by Odisha's top artistes. Working with the dancers of Sutra Foundation was Odissi dancer Meera Das whose dance composition along with Ramli Ibrahim's group choreography aesthetics with artistic direction, designed this effort.

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